Re: Mic for cab : Sennheiser e906 or Shure SM57 Is the e906 basically the same mic / capsule as the e609, just with the hi-pass filter and whatever the other switch is added? As far as recording electric guitar cabinets go, I really can’t complain; the sound sounds full with a good amount of low end without sounding boomy, and the mids and highs also sound great. The e906 has a switch that enables you to pick one of three eq settings; a presence boost, presence cut, and a flat response. The e609 has a similar build; all metal and all rugged. This means that vocals, for example, will cut better through the mix, and so will electric guitars. The other mics don’t have this function or any other switches. On the other hand, the SM57 and e609 have no switches or filters on them. Sennheiser e906 vs Sennheiser e609 vs Shure SM57 Build and design. Now to the important part; sound quality! Logitech G Pro vs G Pro X: 4 Differences and 6 Similarities, FL Studio vs Ableton: Here Is Our Best Pick! I struggled with SM57 for mic placement. On the other hand, the wider frequency response of the SM7b allows for a more diverse range of applications, while still providing the flexibility of selectable filters to suit particular needs. This unique feature is very handy as you handle different instruments with altering properties. At the same time, the prices are not the same. Like I mentioned in the beginning, the e906 has a much smaller profile than the SM57, which means that when placed in front of an amp it should take up less space and if used on a live stage, it should be harder for someone to accidentally bump up against it. The SM57 has an increased presence peak, which would be in the higher mids/high frequencies. The e609 and SM57 have a frequency response of 40Hz to 15000Hz. Either you’re using it in the studio or on the road, you can be sure that the e906 will be reliable over and over again. Its frequency response is 40Hz to 18000Hz. These are the questions that this article will seek to answer, to enable you to make an informed choice. Lastly, the Sennheiser e906 is very susceptible to plosives, which shouldn’t really matter that much since it’s designed to record instruments, but if you ever decide to use it as a vocal mic, keep in mind that a good pop filter will be required. Its low mids are not just tempered, they are actually a bit reduced, and it’s audible when you listen to the mic, especially when using it with a guitar cabinet. The Shure SM57 looks very different from the others, but equally (if not more) popular. Looking at this mic, you first notice its miniature size. Therefore if you’re in a budget, you can have splendid results with the Shure SM57 and Sennheiser 609. Side address design makes it easier for guitar cabinet use. On the other hand, the SM57 and e609 have no switches or filters on them. I have seen people practically try to induce distortion by cranking up sound sources volumes, but without any success. The e609 and e906 have sided address mics, which makes them much easier to use in … The Sennheiser e906 is a dynamic supercardioid microphone that is commonly used for instruments. Shure SM58 vs Sennheiser e845 – Live Mic Showdown! The e906 and e609 may look different from other mics, but they perform similar functions as all others and will be subjected to the same standards as other guitar and instrument mics. But, if you have a few more bucks to spare, the e906 will give you an improved experience. I have and use both the SM57 and e609, and I honestly cannot tell the difference between them sonically. Both have a similar sound quality, but the Sennheiser e906 is more versatile thanks to the presence switch. The Shure SM57 features a cardioid polar pattern while the Sennheiser e906 has a supercardioid polar pattern and a switch that lets you boost or cut the presence frequencies. Shure SM57 vs Sennheiser e609. Some people also use it to capture vocals, but the major reason it’s so popular is that it’s a favorite of many guitar players and engineers, alongside the Shure SM57 and Sennheiser e609. I’m on a mission to help music creators to create fine music that help them position uniquely in the saturated music space. However, all these three mics must be placed close to the sound source to get the best sound. Also, be aware the low sensitivity figures are not necessarily weaknesses; they have a unique advantage. Even with the high-frequency boost enabled, the e906 handles those high frequencies such that it does not sound harsh while maintaining that sparkle too. Please know that your trust is so important for us. There is one more difference which is that the e906 has a much lower profile, meaning that it doesn’t take up as much space in front of the amp and is much less likely to get bumped. All three mics are low impedance mics, which means that they will give quality sound, regardless of the cable length. Mid frequencies are reduced, leading to less warmth. Thread starter Prince; Start date May 26, 2017; Shure SM57 or Sennheiser e609? I love recording my electric guitar with it since the sound is clear, warm and also has a nice low-end, and when recording clean tones, I don’t hear any particular frequencies being too prominent. The Sennheiser e906 has a higher sensitivity rating than the SM57 and e609. Here’s an affiliate link to Amazon where you can read the user Reviews as well as check the current price of the Shure SM57. The SM57 is voiced particularly well for guitar cab and snare drum applications, where the presence peak helps cut through the mix. And, buy me a coffee ☕️. The Shure SM57 and Sennheiser e609 have no switches; any adjustment must be made by the mix engineer. It’s time to declare the winner in Sennheiser e906 vs Sennheiser e609 vs Shure sm57 battle. The good news here is that the e609, SM57, and e906 all have no excessive low-frequency build-up. Generally, during a performance that has more than one guitarist, we have one of them playing the rhythm, while the other plays riffs or solos. To use the switch, you must be sure that’s what you really want because it will determine what the engineer will have to work with. Of course, it’s quite different for the e906, since there are three possibilities where the presence and clarity is concerned. This is something I really enjoy doing. One major thing that all these mics have in common, is that a lot of engineers and guitarists use them for their guitar cabinets. The e609 and e906 have sided address mics, which makes them much easier to use in miking guitar cabinets. No switches or filters for more hands-on control. I hope you have a nice day and see you on the next one! Because of its small head, placement may be tricky, especially for guitar cabinets. The high frequencies of these three mics are quite similar too, with the popular presence boost noticeable across board. The low sensitivity figures of these mics make it compulsory to move the mics quite close to the guitar cabinet, such that unwanted sound is largely rejected. Your email address will not be published. Opening up the e906 box, you get a mic clip with a screw hole to attach it to a mic stand, an instruction manual, a carrying pouch and the mic itself. All three mics are dynamic mics, and they all have a rugged build. Shure Beta 58A vs Sennheiser E935: Is There Any Difference? This is quite uncommon, especially for dynamic mics, but this design has its benefits.
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